"Well, was it I, pray, who perpetrated the wrong? Ain't I doing what I can to get the thing arranged?" "Derived from him?"!

"So much the better, if it's the kind of one you desire." That was the most she could say, and having made it sound as dry as possible she lapsed into a silence so pointed as to deprive him of all pretext for not leaving her. Still, nevertheless, he stood there, playing with his hat and filling the long pause with a strained and anxious smile. He wished to obey her thoroughly, to appear not to presume on any advantage he had won from her; but there was clearly something he longed for beside. While he showed this by hanging on she thought of two other things. One of these was that his countenance, after all, failed to bear out his description of his bliss. As for the other, it had no sooner come into her head than she found it seated, in spite of her resolution, on her lips. It took the form of an inconsequent question. "When did you say Mrs. Brigstock was to have gone back?" "And you don't really think it's fair, do you? You don't!" He spoke very quickly; he really seemed to plead.

"And do you mean, as it is, that she'll prevent him?" Mona Brigstock, between these ladies, was now nothing but "she." These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "Of course I count the ghosts. It seems to me ghosts count double—for what they were and for what they are. Somehow there were no ghosts at Poynton," Fleda went on. "That was the only fault."